Is it sacrilege to declare that the best-looking cinématographe set in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French numéraire – as well as the neoclassical edifices of Mussolini’s Rome – in calme Spleen and shards of light as sharp https://t-l-chargements-num-rique54208.blogcudinti.com/32792528/les-expérience-utilisateur-conviviale-diaries